On Confusing Imperfections
in Music Terminology
BAR:
A vertical line between measures, not a measure itself, even if older editions place a measure number right above such a bar.
BEAT:
If a beat has duration and is immediately followed by the next one, how can a syncopated note be played off the beat?
CADENCE:
Why do cadence and cadenza mean, for some, two different things? Is it because one is an English term and the other is Italian? Where in a piece did the first cadenzas appear?
CLEFS:
Why bass not base?
COMMON TIME:
Such nonsense spawned by the fusion of ignorance and arrogance doesn't even deserve a comment.
CUT-TIME:
Not each cut-time is “alla breve.”
DEGREES:
From where on earth does h come after a in some languages? From the sloppy handwriting of a monk?
INSTRUMENTALISTS:
If pianist for piano, cellist for cello, why soloist instead of solist for solo?
KEY:
If key, instead of tonality, why not “keyic” harmony instead of tonal harmony?
MAZURKA:
Why the Russian name mazurka instead of the Polish name Mazurek for a Polish dance Chopin made known to the whole world?
NATURAL:
Works like a sharp when against a flat or like a flat when against a sharp. So, why the name “natural”?
OCTAVE REGISTERS:
Whether with the middle C marked as C4 (mostly in popular music) or C1 (in the organ register system), shouldn't we talk about the names of seventh registers rather than octave registers?
PICKUP:
(possibly from a conductor's motion up on the last beat of a measure)
A note or a group of notes played on or after the last beat of an incomplete measure. The term is inaccurate if the anacrusis starts before the last beat.
SLUR:
If a slur means legato (which it does not) how can one play staccato and legato at the same time (dots under a slur)? Did Rachmaninov really have such big hands?
SOLMIZATION:
If Do for Dominus (after Doni’s mnemonicization of d’Arezzo’s Ut), why Ti for Sider?
SONATA FORM:
Is not the same as the sonata-allegro form.
STEP:
If half-step and whole-step why not tristep instead of tritone?
TENUTO:
If tenuto calls for the entire duration of a note, does it mean that other notes unmarked as tenuto can be shortened?
TONALITIES:
Why a minor tonality name consists of a letter and a mode (ex. a-minor) while a major tonality has only an upper-case letter in its name (ex. C)? Does it have anything to do with popular music in which minor tonalities are occasional and require extra-precise description?
(To be continued)